La talare, da sempre, rappresenta il distintivo per eccellenza del clero. La società dell'immagine, in cui viviamo, propone ad ogni classe il proprio abito, contrariamente a ciò all'interno della Chiesa Cattolica una gran parte di sacerdoti ha lasciato (o peggio non ha mai posseduto) la veste tipica del clero romano, ossia la talare.
Il cardinal Siri, una delle figure ecclesiastiche più importanti del '900, così scriveva ai preti della sua diocesi: “L'abito condiziona fortemente e talvolta forgia addirittura la psicologia di chi lo porta.L'abbigliamento, infatti, impegna per la vestizione, per la sua conservazione, for replacement. It's the first thing you see, the last place them. It recalls the commitments, belongings, decorations, associates, team spirit, dignity! "
Surfing the web, we found a video that could be called a confession-musical language Neapolitan (beware subtitles). The most interesting thing is certainly not the canon of vocal quality, but a powerful call to the Catholic tradition: the sacrament of reconciliation is administered in the knee, according to the practice that is historically and theologically more appropriate, and the two nuns wear robes of a monk, now falls into disuse, which are seen only in the card of some venerable founder; Finally, as icing on the cake, the priest wears a cassock (the hair of his ministers and fly better, remember that it is only an actor).
Hence, we infer that the faithful, in this case the director, imagine the priest in cassock as the man who confesses in confessionile interrupted, for the sanctification of her children.
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