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Opera and cappuccino

When you go to work in the district of Neukölln must be psychologically prepared for the fact that nothing is "obvious." If you do not want you to be surprised at the Staatsoper and the Deutsche Oper, not to Saalbau Neukölln. Since I was accustomed to hear this wonderful but alas often mortified art form under the conservative burn shelled Scala in Milan, the desire to be surprised that it was something I aspired for a long time. In the two m UPDATE theaters r overagainst Berliners had a larger aperture than the v ia Italian (what a discovery!), Not to mention the Komische Oper , which have long or me had struck. But the experience of La Traviata Exit to the matinee Saalbau Neukölln marked a new phase)

Exit La Traviata is a young and innovative creation, played in a tiny Actium sp and well-organized. The main idea of \u200b\u200bthis fresh version of the famous giant green and the continued decrease in the orchestra. At first stage there is even space for musicians, so that the singers de Vono put itself on the cubes to literally stand out and be noticed by the public. As we enter the heart of the story though, the music institutional diligently put away their instruments and quietly blend into the public until during the final scene does not remain only four ( respectively viola, horn, clarinet oe cello) . The music accompanies the story literally, from a start color ( Libiam n and happy glasses) from many and various tools proceeds, the closer you get to the death of Violetta, a reduction in tone that gradually allows singers to let their voices carrying the melody becomes until the end , when the four tools? nti remained merely point out the last sighs of the protagonist.

I've always loved small spaces, both in theaters and in homes, they gave me the idea of \u200b\u200bbringing imagination to those who live there, because they require more force suitable and tenacity to create their own space despite the very absence of the latter. Exit La Traviata has succeeded very well in this, using cubes, threads of linen pieces of paper and little else has invented its ideal size and introduced a simple but attractive setting at the same time. The two

Violette, both dressed in a pink dress with or old but very different from the cuts that identifies the psychological change, the characters are certainly more remain, although Alfred has a character very successful with that Young, naive and a little 'child.

Since I saw the movie Amadeus covavo very hedonistic desire to eat and drink during a show, just like was done in time not too distant, when going to the opera or theater equivalent to watch a movie on television nowadays - reference to the Teatro alla Scala, where in the balcony, during the recent restorations, it was tr ovate oven, for the exclusive use of Ch lia-owner of that balcony. A
Neukölln everything is still possible, even eating a kebab (or, in the case of matinee, a croissant with hood) , crying at the same time before the tragic fate of the dear Violetta.

The art should be eaten, savored and "materialized", must be part of everyday life rather than become a product from the museum, stale and no heartbeat. Fortunately, there are many young people who feel the desire to re-animate it, and places that lend themselves to give their support.