Grazie a Nicoletta
Ebookfest di Fosdinovo... io non c'ero per motivi logistici ma grazie a Nicoletta era come se ci fossi.
I copy and paste from his abstract:
Using archaeological reconstructions of teaching in Second Life (ie as "enter" into an ebook of the future)
Date: Friday, September 10, 18:00
Location: Tower
Malaspina's work archaeological reconstruction in 3D always has its value, but when it comes to teaching, then the speech is very different, because while it is possible to imagine an adult and refer to past experiences for all pupils is new and have to be clear and real. The concrete is then the basis for effective education and that is that the reconstruction of Anna Rita Vizzari a platform similar to that of SL is not an example of skill in the strange and new "discipline" that is called "build", but rather a place used as part of life history.
We see the case as an example: two third classes are the first steps in the history and work with concepts not as simple at this age: the sources and historical remains: where and how they are discovered? As used by archaeologists? After a brief explanation taken from the subsidiary to go to visit in Second Learning World: è una piattaforma simile a Second Life, messa su dall’Ansas di Firenze grazie ad Andrea Benassi proprio per la sperimentazione didattica e dove un ristretto gruppo di docenti ha avuto la “fortuna” di lavorare a partire dal giugno 2009. In questa realtà virtuale i bambini visitano la zona dedicata ai giochi archeologici, partecipando attivamente al riconoscimento dei vari reperti ricostruiti in 3d e visitando la zona subacquea, che mostra come potrebbe essere davvero una ricerca sottomarina se fossero loro stessi degli archeologi. La "gita" è resa interessante da una caccia al tesoro e da un museo carico di reperti bellissimi con le note informative da studiare. L’entusiasmo dei bambini è alle stelle! Gli occhi sono concentrati sulle immagini della realtà virtuale sul videoproiettore, le orecchie “ben aperte” all’ascolto e il silenzio è interrotto solo dalle domande pertinenti o esclamazioni sorprendenti per i bambini di quell’età che mai potrebbero dal vero realizzare un’esperienza simile. Il lavoro è documentato in un piccolo video.
Thursday, September 30, 2010
I Miss You And The Does
Mine Vaganti
"The Loose Cannons are used to bring the disorder to take things and put them in places where nobody wanted to make him stand. A mess everything, to change plans. "
Here Özpetek is no longer a loose cannon. He can be king of all that is too repetitive, that is bourgeois, that does not go beyond. And yes, Özpetek has its limits, it folds in on itself and not "dare".
His films are not meant to shake us, have a nice box of chocolates and a brand that we know that we will know exactly which flavor on the palate. It's like meeting an old friend, waiting to meet you already know that talk about certain things, feel certain feelings with him, the evening will certainly be nice. This is for me Özpetek. A dear friend who
cuddle me for a few hours, a friend you really know and that is why we do not "tease" in particular. But what has his own ideas and brings them back and this gives us pleasure, tenderness and makes us like it. And good food:)
Özpetek not part of the tease, you probably do not dare, even more likely not interested either. In him everything is already said, the actors, the music that will choose the colors, the main idea. Can do it with elegance and always creating a slight variation on the theme.
The fact remains that it is a dear friend to meet from time to time, to know that you will sure shot that night, that we will not be raped, probably not too inspired, but that will pass una piacevole serata. Un po' borghesuccia magari , che ogni tanto è pure divertente.
"The Loose Cannons are used to bring the disorder to take things and put them in places where nobody wanted to make him stand. A mess everything, to change plans. "
Here Özpetek is no longer a loose cannon. He can be king of all that is too repetitive, that is bourgeois, that does not go beyond. And yes, Özpetek has its limits, it folds in on itself and not "dare".
His films are not meant to shake us, have a nice box of chocolates and a brand that we know that we will know exactly which flavor on the palate. It's like meeting an old friend, waiting to meet you already know that talk about certain things, feel certain feelings with him, the evening will certainly be nice. This is for me Özpetek. A dear friend who
cuddle me for a few hours, a friend you really know and that is why we do not "tease" in particular. But what has his own ideas and brings them back and this gives us pleasure, tenderness and makes us like it. And good food:) Özpetek not part of the tease, you probably do not dare, even more likely not interested either. In him everything is already said, the actors, the music that will choose the colors, the main idea. Can do it with elegance and always creating a slight variation on the theme.
The fact remains that it is a dear friend to meet from time to time, to know that you will sure shot that night, that we will not be raped, probably not too inspired, but that will pass una piacevole serata. Un po' borghesuccia magari , che ogni tanto è pure divertente.
Thursday, September 23, 2010
Rabbits Eating Rubber
Paleografia on line
Nella Summer School di Gattatico la Prof.ssa Paola Guglielmotti ha segnalato dei siti in cui si possono svolgere esercizi on line.
Fra questi http://paleographie.castellanie.net/ .
Da salvare fra i preferiti anche questo: http://fermi.univr.it/rm/RM-Home.htm
Scrivo il post di getto perché devo andare a scuola e mi serve avere on line questo.
Nella Summer School di Gattatico la Prof.ssa Paola Guglielmotti ha segnalato dei siti in cui si possono svolgere esercizi on line.
Fra questi http://paleographie.castellanie.net/ .
Da salvare fra i preferiti anche questo: http://fermi.univr.it/rm/RM-Home.htm
Scrivo il post di getto perché devo andare a scuola e mi serve avere on line questo.
Monday, September 13, 2010
Clonk Rage Registration Number
TRISTAN AND WE FOLLOW DA
Sunday July 11 Mass in a remote village in Liguria: a large group of young families (with several children) animates the celebration by playing guitar and singing in an atmosphere much simple and joyous. (They gave the idea of \u200b\u200bhaving done many tests)
exit greeting a handful of them longtime friends, and ask about "surprise" of that mass.
They tell me that you see regularly every 15 days, reading some spiritual writings and comments together, I also say that they are friends with each other.
My question: "Who's next?", The answer is immediate and true: "We follow ourselves."
How could they otherwise, since the parish is very old and sick? (Not literally are standing, celebrates Mass while seated).
In a Church in crisis seriously here is the basis for going forward with perseverance and generosity. Did you know that I moved?
Sunday July 11 Mass in a remote village in Liguria: a large group of young families (with several children) animates the celebration by playing guitar and singing in an atmosphere much simple and joyous. (They gave the idea of \u200b\u200bhaving done many tests)
exit greeting a handful of them longtime friends, and ask about "surprise" of that mass.
They tell me that you see regularly every 15 days, reading some spiritual writings and comments together, I also say that they are friends with each other.
My question: "Who's next?", The answer is immediate and true: "We follow ourselves."
How could they otherwise, since the parish is very old and sick? (Not literally are standing, celebrates Mass while seated).
In a Church in crisis seriously here is the basis for going forward with perseverance and generosity. Did you know that I moved?
Monday, September 6, 2010
Where Rhino V Parts Ratchet And Clank
OF LATIN IN THE PAPAL CELEBRATIONS IN BRITAIN
From Agency heraldscotland some news about the apostolic visit of Pope Benedict in English soil.
In an interview with The Herald, published today, Monsignor Guido Marini, master of pontifical ceremonies, we anticipate that the Preface and Canon (the most 'significant) will be recited in Latin. [well-known practice in the papal celebrations]
Archbishop Marini said: "For all the Masses celebrated in the United Kingdom, the Preface and Canon will be recited in Latin. What the Holy Father intends to use in Latin is to emphasize the universality and the continuity of the faith of the Church ".
The Canon is the most significant part of the Mass as before and after the consecration.
Archbishop Marini has also revealed a new English translation of the Mass, which will be introduced next year, will be adherence to the original Latin used by the Church for 1500 years before the Vatican Council of 1960. Parts of it will be recited at Bellahouston for the first time.
From Agency heraldscotland some news about the apostolic visit of Pope Benedict in English soil.
In an interview with The Herald, published today, Monsignor Guido Marini, master of pontifical ceremonies, we anticipate that the Preface and Canon (the most 'significant) will be recited in Latin. [well-known practice in the papal celebrations] Archbishop Marini said: "For all the Masses celebrated in the United Kingdom, the Preface and Canon will be recited in Latin. What the Holy Father intends to use in Latin is to emphasize the universality and the continuity of the faith of the Church ".
The Canon is the most significant part of the Mass as before and after the consecration.
Archbishop Marini has also revealed a new English translation of the Mass, which will be introduced next year, will be adherence to the original Latin used by the Church for 1500 years before the Vatican Council of 1960. Parts of it will be recited at Bellahouston for the first time.
Crystal Clean Deodorant By Mennen
REFORMING THE REFORM OF BENEDICT XVI
In 2001, the future Pope Benedict XVI has called the new liturgical movement as a project to "awaken the inner sense of sacredness." The then Cardinal Joseph Ratzinger, he wrote: "The most important thing today is to gain a new respect for the liturgy and the knowledge that is not open to manipulation. To learn once again to recognize in its nature, a creation living growing and was given as a gift through which we participate in the heavenly liturgy. "Giving it a try in our self-realization, to see a gift."
publish a part of 'Inter published by the British site Catholic Sentinel issued Mgr. Guido Marini in conjunction with the apostolic visit of Pope Benedict XI in Britain. The translation is ours.
In 2001, the future Pope Benedict XVI has called the new liturgical movement as a project to "awaken the inner sense of sacredness." The then Cardinal Joseph Ratzinger, he wrote: "The most important thing today is to gain a new respect for the liturgy and the knowledge that is not open to manipulation. To learn once again to recognize in its nature, a creation living growing and was given as a gift through which we participate in the heavenly liturgy. "Giving it a try in our self-realization, to see a gift." Master of Papal Liturgical Celebrations, Monsignor. Guido Marini, has for years called for reform of the reform "of the Catholic liturgy. A renewal movement would be "able to make a reform of the reform, or better, move one step forward in understanding the true spirit of the liturgy and its celebration," said Msgr. Marini. The Pope's liturgist said that the aim of the new movement of reform "would be to pursue the reform of the liturgy that the council fathers had launched" but "not always, in its implementation practice, has found a happy and timely delivery. "Msgr Marini added that" some individuals have managed to disrupt the liturgy of the Church in various ways, under the guise of an elaborate creativity. This was done for reasons of adaptation to local conditions and needs of the community, thus appropriating the right to remove, add or modify the liturgical rite in the pursuit of subjective ends and emotional. "
He called such changes" casual crowd " .
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